New publication: Part 5 of the Mozart Form Functions Series

I have published a new essay on Texas Scholar Works. The title is Formal Functions in Menuets by Mozart, Part 5: More to Theoretical Issues: link. Here is the abstract.

This essay considers some theoretical questions raised at the end of Part 4 in this series. William Caplin’s theory of formal functions in Haydn, Mozart, and Beethoven stipulates that themes are of two primary types (period, sentence) and several secondary types (“hybrids”). These need to be resorted in order to account for eighteenth-century practice more broadly, following from the results of the work in this series, Parts 1-4.

New publication: Part 4 of the Mozart Form Functions Series

I have just published a new essay on Texas Scholar Works: Formal Functions in Menuets by Mozart, Part 4: Older Contemporaries to1770. Link.

Here is the abstract:

This essay charts formal functions (after Caplin) in named menuets written during the second half of the eighteenth century. The repertoire includes menuets by Johann Stamitz, Johann Gottfried Müthel, Franz Joseph Haydn, Luigi Boccherini, Maddalena Laura Sirmen, and several other composers, as well as menuets in collections or compilations intended for performance, dancing, or pedagogy.

New publication: Part 3 of Form Functions in Mozart Menuets

I have just published a new essay on Texas Scholar Works: Formal Functions in Menuets by Mozart, Part 3: A Comparison with Johann Christian Bach. Link.

Here is the abstract:

This essay charts formal functions (after Caplin) in named menuets by Johann Christian Bach (1735-1782) and compares them with menuets by Mozart. Bach is notable for exploiting the “galant theme,” presumably because of its ability to emphasize melody and to maximize contrast, in accordance with aesthetic ideals of the galant style.

The repertoire includes, in chronological order, WC 49-54: Concertos, op. 1 (1763); WB 43-48: Trios (keyboard), op. 2 (1763 or earlier); WA 1-6: 6 Sonatas, op. 5 (1765); WB 2-7: Sonatas with violin, op. 10 ; WC 1-6: 6 Symphonies, op. 3 (1765); WC 55-60: Concertos, op. 7 (1770); WB 51-56: String quartets (1770); WB 57: Flute quartets (year?); WB 70-75: 6 Quintets, op. 11 (1772); WC 17b-18b: 3 Symphonies, op. 9 (1773); WZ_6 Trios (Bach, Abel, and Kammel) (1775-76); WC 62-67: Concertos, op. 13 (1777);WA 21: Sonata 2 pianos (1778); WB 10-15 Sonatas (c. 1780); WB 30-35: Trios (1780); WA 7-12: 6 Sonatas, op. 17 (c. 1780); WA 16-20: Sonatas, op. 18 (year?).